Photo credits: Knoll // Roche Bobois
As you may know, Harry Bertoia is quite the legend in the design world and his collection will forever remain a modern classic. It’s a result of Hans and Florence Knoll’s request for Bertoia to come up with “something interesting”. They wanted to work with him but never briefed him with specifics; instead, they encouraged him to explore whatever he liked. Thus the Diamond chair was conceived while exploring different responses for a chair to suit his body comfortably. He happens to be one of the fathers of what we know today as ergonomics.
“I went around and discovered, quite soon, that I was not the man to do research. My feeling was that had to come from an inward direction. I began to rely once more on my own body. I began to think in terms of what I would like as a chair. It started very slowly…I came into rod or wire, whether bent or straight.“
The art in Bertoia’s work lies in the fact that he used an industrial material and elevated into a refined iconic object. It was introduced in 1952 and has been an inspiration ever since. We’ve come to find this similarity with the work of French designer, Maurice Marty. Actually, he is a sculptor, a designer, an architect, a painter and interior designer, known for his exceptional craftsmanship.
At first glance, we focus on the form of the chair. The “diamond” shape provides extended lateral surface to rest your arms, without actually having an armrest. Due to the way its bent, its organic shape responds to a specific function. Secondly, we notice the legs, which are quite different. They are in opposite positions, and the Corolle version has an X shape if seen from the back. Lastly, the main difference, which sets this coincidence apart, is the material selection. While the Diamond chair owes all its glory specifically for its metal wire choice, Corolle seat is manufactured in 10mm PMMA (polymethyl methacrylate, also known as Plexiglas) and steel epoxy lacquered legs. They both come with options of upholstery or cushion (respectively) and are suitable for outdoors.
My theory is that both designers made it their goal to experiment with unconventional materials. However the main design element is the shape, and that we owe it all to Harry Bertoia.
Which one do you prefer?